Wednesday 17 October 2018

Elegies by Douglas Dunn

Hello, Helen here! Slightly late this week due to illness and a stampede of assignments charging my way, for which I apologise. Here is my review for a book of poetry that I read some years ago but will forever and always be my absolute favourite.





Book: Elegies

Author: Douglas Dunn






Written after the death of his wife from cancer, Douglas Dunn’s Elegies are a collection of poems about grief, love, and the struggle to keep going after profound loss. Perhaps the first thing I should say about this wonderful, wonderful book, is that it is the first – and only at the date of writing – set of poems that have made me cry. Dunn’s grief is smeared across every page for the world to see, in a way that is so raw and ragged that it takes your breath away.

One of the things I found most heart-wrenching was the way Dunn interspersed the grief of the present with memories of their life before her diagnosis, when he and his wife were happy and in love without the shadow of death hanging over them. I have been told that one of the best ways to write tragedy is to give the reader something happy to hold onto – the hope that something good will happen and change the ending and let us close the book with a smile on our faces. Whether Dunn’s inclusion of these brief, shining moments of joy were intended to cause this effect is perhaps unclear, but nonetheless, they certainly help you understand exactly what Dunn has lost, and how helpless he felt watching his wife’s health slowly decline, knowing there was nothing he could do to stop it.

The most famous poem from Elegies is probably The Kaleidoscope, which is widely available on a manner of poetry websites, often accompanied by a recording of it being read aloud. Written in sonnet form, The Kaleidoscope details Dunn’s loss of direction after his wife’s death. He describes, in aching detail, how he still half expects his wife to be in their house, and how he can almost see her watching him, if only he’d turn around. It’s probably one of my favourites from this collection, along with Birch Room.

I will say, however, that this isn’t really a book to pick up lightly. It deals with a lot of sensitive and emotional aspects of life and death and love, and even those who claim to be completely hard-hearted will probably finish reading this with a lump in their throat. It is likely that you might need some time to process the book after you have read it – I know I did! – so please bear that in mind.

Having said that, I would heartily recommend this to anyone and everyone who likes poetry, and to most people who don’t! It flows and captures you in way that some older poets might not, and I promise, you will never be bored when reading it.

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